Manuel Rossner – Manuel Rossner creates spaces, often, but not necessarily intersecting with reality.

Manuel Rossner is an artist working with technology. He builds interactive architecture with digital materials that are spatial interventions and virtual extensions.

Surprisingly Blue #3
Digital Object
64 x 48 x 13 cm
Unique, 2021
Owned by 0x95…8Aa3
Mint 3/100

Work

Spatial Painting (Baden-Baden)

Staatl. Kunsthalle, Baden-Baden

9.7.–16.10.2022

Spatial Painting (Ro
sa-Luxemburg-Platz)

Zentrum für Netzkunst / panke.gallery, Berlin

22.6.–20.8.2022

Spatial Painting (Basel – Kleinbasel)

ARTour Basel, Basel

New Float

Digital Space, Berlin

Ideal Disruption

Hyundai Motorstudio, Busan, South Korea

9.12.21 — 31.3.22

Spatial Painting (Tokyo
Opera Tower)

InterCommunication Center, Tokyo

30.10.2021 — 27.02.2022

Adventure in Color

PORSCHE x KÖNIG GALERIE,

9.10–5.12.2021

Unsurprisingly
This Is Rather Hard Work

KÖNIG GALERIE, Decentraland

9.9. — 10.10.21

Climbing on Color I

Haus der elektronischen Künste, Basel

4.9. — 3.10.21

Persistent Realities

NRW-Forum / Museum Kunstpalast, Düsseldorf

22.08.21 — 20.02.22

Where To
Go From Here?

Grand Palais Éphemère, Paris

19.6. — 20.6.21

How Did We Get Here?

Hamburger Kunsthalle, Hamburg

18.6. — 28.11.2021

The Artist is Online

KÖNIG GALERIE
Decentraland
(36,100)

21.3. — 21.4.2021

Surprisingly Series

The Artist is Online, KÖNIG GALERIE

18.3. — 18.4.2021

Color Series

Hotfix

BERLIN, AUGMENTED BERLIN, Highsnobiety

22. — 24.1.2021

But Doesn’t the
Body Matter?

Francisco Carolinum, Linz, Austria

Floating Backwards

Safiental Biennale, Switzerland

18.7. — 1.11.2020

Surprisingly This
Rather Works

KÖNIG GALERIE, Berlin

There’s no feeling, where
there’s no pain

Museum der bildenden Künste, Leipzig

28.10 — 3.11.2019

MdbK Leipzig Main Image

Malibu

CUBE / Roehrs & Boetsch, Zürich

17.1. – 16.3.2019

Malibu, Main Image

CUBE

Roehrs & Boetsch, Zürich

17.1.2019 — ongoing

CUBE Outside View

The Post Binary

Museum Angewandte Kunst, Frankfurt/M.

8. — 10.11.2018

The Post Binary, Main Image

Du musst
dein Leben ändern

KM — Künstlerhaus, Graz

23.9. — 29.11.2018

Wetware

Frankfurter Kunstverein, Frankfurt/M.

7.10.2017 – 7.1.2018

Wetware, Frankfurter Kunstverein, Main Image

Imagine: Universal
Basic Income

Import Projects, Berlin

INFRA

Multiple Venues, Tokyo

19. — 26.8.2017

NRW-Forum Düsseldorf
Extension

NRW-Forum, Düsseldorf

25.5. — 30.7.2017

NRW-Forum Extension, Main Image

Ultralight Beam

Float Gallery & 1822 Forum, Frankfurt

17.1. — 25.2.2017

U+FFFD

Sigiriya Sri Lanka, Eternal Brother/Sisterhood of Internet

Internet TBD

HfG Offenbach
Research/Discussion Group

Viscosity Statue

Athens Digital Art Festival , Athens

Mimetic Polyalloy

Just don’t
know

Float Gallery

Hauptbahnhof Offenbach, Galerie Eva Meyer Paris…, Online

Opened in June 2012

NEW FLOAT, Manuel Rossner’s digital space where he shows his NFT collection. Visit now through the Realworld Art app available on the App Store.

NEW FLOAT, Manuel Rossner’s digital space where he shows his NFT collection.
Visit now through the Realworld Art app available on the App Store

Follow on Instagram

manuelrossner

✖ SURPRISINGLY SERIES: 100 NFTs (Link in Bio)
✖ Based in Berlin ✖@realworld__art

Digital Art, NFTs and the public space: I’ve rev

Digital Art, NFTs and the public space: I’ve revisited my artwork HOTFIX with a Cessna airplane in Microsoft Flight Simulator (@msfsofficial ).

The game is one of the most powerful simulators of the physical world. By hacking the game using developer tools, I added my digital geo-located painting, HOTFIX to Berlin’s TV Tower. The artwork was initially created for @highsnobiety’s BERLIN, AUGMENTED BERLIN exhibition curated by @anika in 2021. HOTFIX reflected on the common practice of using a quick and dirty solution to an unexpected challenge. Using a flight simulator to create an art experience from an airplane is such a hot fix. At the same time, it anticipates a future where the digital and physical world merge.

HOTFIX was created as a geo-located AR experience. Every software that refers to the global coordinate system can display the work at 52° 31' 15" N, 13° 24' 34" E. In multiplayer mode, Flight Simulator players see each other and communicate via voice. For me, this kind of metaverse raises a lot of important questions around public space, architecture, and ownership. Flight Simulator doesn’t support NFTs (yet?). Nevertheless, my geo-located artworks are meant to be implemented by game creators that refer to the physical world. That way, they transcend multiple game universes. Ultimately, the question of what to do with and how to display NFTs literally takes on another dimension. They become part of an extended reality that will become our everyday environment.

HOTFIX
Edition (Total): 1 + 1AP
Latitude: 52° 31' 15" N
Longitude: 13° 24' 34" E
Size: 163 x 212 x 175m

Opening tonight 7pm with a conversation with @d.a.

Opening tonight 7pm with a conversation with @d.a.m.j.a.n.s.k.i and myself at @netzkunst.berlin!

"Outside In" explores the augmented possibilities of reality. Spatial software introduced new materialities and perspectives to people’s perceptions. Humans are spatial creatures. We experience most of our lives in relation to space. Manuel Rossner’s work "Spatial Painting (Rosa-Luxemburg-Platz)" no longer distinguishes between the real world and the alternative world, but experiences space simultaneously as a physical dimension, virtual image and hyperreal medium. His drawings, created in VR, interfere with the location. Damjanski’s piece "Inside: Spatial Painting (Rosa-Luxemburg-Platz)" stands in dialogue to Manuel’s piece and gives visitors access to experience the work from the inside. A perspective that wouldn’t have been possible with AR technology. Both pieces complement each other by giving visitors a new spatial experience.

My work “How Did We Get Here?” for @hamburger.

My work “How Did We Get Here?” for @hamburger.kunsthalle is featured in @carolacrescendo’s article in @spiegelmagazin with @madonna, @beeple_crap, @alicjakwade and @alfred_weidinger.

To celebrate that my digital site-specific installation “How Did We Get Here?” became part of the permanent collection of the museum, I released an edition of 30 NFTs for long-time supporters and winners of a game inside the app of Hamburger Kunsthalle. When you download the app, you can still visit the exhibition.

The site-specific virtual reality installation How Did We Get Here? was created especially for the exhibition OUT OF SPACE. It connects the atrium of the Galerie der Gegenwart as a physical space with a digital extension of the same space – in a playful way: With the help of virtual reality (VR) glasses, visitors are transported to this very place – and, starting from the atrium, move through an elaborately simulated digital version of the Galerie der Gegenwart. Here, a course of huge amorphous objects makes it possible to experience physical space freed from its physical limitations and rules – and to view art. Only the laws here are different – the digital space seems to open up unlimited possibilities. And Manuel Rossner’s works are created especially for this and above all in this place: Rossner paints pictures and models sculptures digitally.
The artwork HOW DID WE GET HERE? became the first NFT (Non Fungible Token) in the permanent collection of Hamburger Kunsthalle. It hold work by Gerhard Richter, Andy Warhol, Francis Bacon, Caspar David Friedrich, Georg Baselitz, Neo Rauch and many more.

Curated by @jnsteinke and @ifeetack.

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HOTFIX for BERLIN, AUGMENTED BERLIN by Highsnobiety

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